Jack Ryan Ghost War 2026 Cast Outfits: Every Jacket and Look

Tom Clancy’s Jack Ryan: Ghost War hit Amazon Prime Video on May 20, 2026. The film brings back John Krasinski as CIA operative Jack Ryan and surrounds him with a nine-person cast pulled from both the CIA and MI6 worlds. The story runs across three cities: Dubai, London, and New York. And across those three cities, every character wears something that tells you exactly who they are and what they do. This guide covers every main cast member and the outfits and jackets they wore across the film.

What Is Jack Ryan Ghost War?

Jack Ryan: Ghost War is a 2026 political action thriller directed by Andrew Bernstein. It is the sixth Jack Ryan film and the third reboot of the character in cinema. The story follows Jack Ryan as he reunites with former CIA colleagues to stop a rogue MI6 black-ops program called Project Starling, run by a disillusioned former operative named Liam Crown.

The film was written by Aaron Rabin and John Krasinski, based on a story by Krasinski and Noah Oppenheim. It is built on Tom Clancy’s Ryanverse characters and works as a direct continuation of the Amazon Prime Video series that ran from 2018 to 2023. Principal photography took place across London, New York City, and Dubai, starting in January 2025 and wrapping in late July 2025.

Ghost War is not a new season of the TV series. It is a standalone feature film. It released worldwide on Prime Video on May 20, 2026, carries an R rating, and runs for 107 minutes.

The Full Jack Ryan Ghost War Cast

The Ghost War cast is a nine-person ensemble built around two intelligence worlds: the CIA and MI6. Every character’s wardrobe connects directly to their rank and function in the mission. Here is the full main cast:

• John Krasinski as Jack Ryan — Former US Marine and CIA field operative
• Wendell Pierce as James Greer — CIA Deputy Director
• Michael Kelly as Mike November — CIA security contractor, former Venezuela station chief
• Max Beesley as Liam Crown — Rogue MI6 black-ops operative and main antagonist
• JJ Feild as Andrew Spear — Deputy Chief of MI6
• Douglas Hodge as Nigel Cooke — Senior MI6 officer
• Betty Gabriel as Elizabeth Wright — Director of the CIA
• Sienna Miller as Emma Marlow — MI6 officer working alongside Ryan
• Dominic Mafham as Arnold — Chief of MI6

John Krasinski as Jack Ryan: The Outfit Breakdown

John Krasinski anchors Ghost War, and his wardrobe is built around two very different versions of the same man. At the start of the film, Ryan is in New York working in hedge fund risk management, trying to live away from the intelligence world. By the time the Dubai mission begins, everything shifts, including how he dresses.

The Tactical Field Jacket: Dubai and London Operations

The most searched outfit from Ghost War is Jack Ryan’s operational jacket. Krasinski wears a dark structured field jacket across the Dubai and London mission sequences. It sits close to the body without limiting movement. It carries no unnecessary detail. Dark in tone, moving between deep navy and near-black depending on the scene lighting, it pairs with dark tactical trousers and clean functional boots.

This jacket works on screen because it never looks like a costume. It looks like something a real CIA operative would actually choose. Useful first, everything else second. The silhouette sits between a field jacket and a bomber, which puts it in a practical category that is easy to wear outside of a film context too.

If you want to find a character-inspired jacket that captures this CIA operative aesthetic, browse the movie outfit collection at TVJackets for film-inspired outerwear built for real wear.

The Wall Street Civilian Look: New York

Before the mission pulls Ryan back in, his wardrobe reflects the civilian life he has been trying to maintain. In New York, he is dressed in smart casual outerwear: a fitted wool-blend jacket or structured sport coat layered over simple dark pieces. Nothing that says CIA. Nothing operational.

This contrast between the New York wardrobe and the field jacket he picks up in Dubai is intentional. The clothes show how far Ryan has tried to walk away from the intelligence world, and how quickly that distance collapses when Greer comes calling. Two very different jacket choices tell that entire story without a single line of explanation.

Wendell Pierce as James Greer: CIA Authority Style

Wendell Pierce returns as James Greer, now serving as CIA Deputy Director. That promotion is reflected directly in every outfit he wears throughout Ghost War. Greer does not go to the field. He works briefing rooms, government corridors, and intelligence headquarters, and his wardrobe is built for exactly that world.

The Greer look in Ghost War leans fully into formal authority. Dark tailored blazers, structured suit jackets, and crisp dress shirts with no pattern or distraction. The color palette stays tight: blacks, deep charcoals, and navy throughout. Everything is pressed and fits precisely. This is what CIA leadership dressing looks like: not a uniform, but a standard that communicates rank without words.

Pierce wears this look with the natural weight Greer has carried through four seasons of television before this film. The blazers and suits do not look selected for the role. They look like what the character has always worn.

Sienna Miller as Emma Marlow: MI6 Operative Style

Sienna Miller joins the Ghost War cast as Emma Marlow, an MI6 officer who works alongside Ryan to stop Liam Crown. Her wardrobe sits at the crossroads between tactical preparation and British intelligence precision. The Ghost War MI6 aesthetic is not about glamour spy fashion. It is about operational intelligence dressing, and Miller’s character reflects that across every scene.

Her outerwear in the film is dark and close-fitted, built for the kind of work Marlow does in London and Dubai. Functional layering that works across two very different climate environments. Her palette runs cold: blacks, dark grays, and deep navy. Nothing decorative. Nothing that signals anything other than competence and readiness.

What makes Marlow’s style worth looking at is how controlled it is. She dresses like someone who chose every piece for a reason and has no patience for anything that does not serve the mission. Browse the full range of TV and movie character outfit collections at TVJackets to find spy-inspired outerwear for every character type in the Ghost War cast.

Michael Kelly as Mike November: The Contractor Look

Michael Kelly reprises Mike November, the CIA security contractor and former station chief in Venezuela. November is not an analyst and not a director. He is a man who has done hard fieldwork in difficult places for a long time, and his wardrobe shows it in every scene.

November’s look in Ghost War is more rugged than Ryan’s and more relaxed than Greer’s. Heavier outerwear, practical layering, and a palette that leans toward darker earth-adjacent neutrals. He dresses like someone who has worked in every climate and chose his jacket to last rather than to impress. There is accumulated wear and texture to his style that separates him clearly from the analyst and director types on either side of him in the CIA chain.

Kelly wears this look with natural ease. November’s outfits feel chosen based on experience, not on what looks right. That is exactly what a CIA security contractor’s wardrobe should feel like, and Ghost War delivers it without making it theatrical.

Max Beesley as Liam Crown: The Villain’s Wardrobe

Max Beesley plays Liam Crown, a VC-decorated former MI6 black-ops soldier who went rogue after working on Project Starling. Crown is the threat in Ghost War, and his wardrobe communicates danger without announcing it loudly.

Crown’s style is military-derived but undisciplined in the way of someone who has broken from the institution and stopped following its rules. Dark, heavy outerwear with real structural weight. The kind of jacket that looks like it has been through conflict zones and kept those environments inside its construction. His palette stays very dark: blacks, deep olive, and shadow-toned gray, but the pieces carry a roughness that separates them from Ryan’s cleaner field jacket.

The gap between the hero’s jacket and the villain’s outerwear in Ghost War is subtle but visible. Ryan’s field jacket says CIA: functional, controlled, mission-focused. Crown’s outerwear says rogue: the same military roots, none of the institutional restraint. That contrast in style does the narrative work quietly across every scene they share.

Supporting Cast Outfits: Gabriel, Feild, Hodge

Betty Gabriel plays Elizabeth Wright, Director of the CIA, and wears the highest-authority wardrobe in the film. As the head of the Agency, Wright is always in command dress. Structured power suits and sharp executive blazers in a composed, credible palette. Nothing decorative. Every piece communicates that this is the person who runs the room and has done so for a long time.

JJ Feild plays Andrew Spear, Deputy Chief of MI6, and his wardrobe is classically British institutional. Precisely tailored suit jackets, formal trousers, and conservative dress shirts. Spear is not a field officer. He is a bureaucrat with authority, and his clothes signal that rank with the studied precision that comes with running a section of British intelligence. His look carries no texture, no looseness, and no warmth.

Douglas Hodge as Nigel Cooke, the senior MI6 officer, dresses in a similar formal register to Spear but with slightly more lived-in texture. Cooke operates in the gray zones of intelligence work, passing information between sides, and his wardrobe carries a little more weight and wear than Spear’s clean institutional lines allow. He wears the establishment dress but carries it with the pressure of a man who knows things that make his position complicated.

The Jack Ryan Ghost War Spy Style: What Makes It Work

Ghost War’s costume design is not built around fashion. It is built around function that happens to look sharp. The film spans three very different environments: Dubai heat, London cold, and New York urban life. The wardrobe team had to dress characters for all three, sometimes across a single character arc, and the result is a palette and silhouette language that holds together across every scene in every city.

The palette runs almost entirely through dark neutrals. Black, charcoal, deep navy, muted olive, and stone gray. No bright tones. No color statements. No pieces that demand attention. Every item looks chosen for what it does first and how it looks second. That discipline is what gives the Ghost War wardrobe its credibility. It is the same philosophy the TV series ran on for four seasons, and the film carries it cleanly into the feature format.

According to the film’s production background, principal photography covered three major international locations across seven months. Each location is written into the wardrobe choices for every character who moves through it. That is not an accident. It is a level of production intentionality that separates strong costume design from decoration.

For anyone who wants to wear this kind of aesthetic in real life, the framework is simple. A dark structured field jacket or fitted bomber is the anchor piece. Dark straight trousers in a matching or complementary neutral. Clean minimal boots. No visible logos. No layering that adds bulk without purpose. The more useful a piece looks, the closer it sits to the Ghost War standard. At TVJackets, this kind of character-driven outerwear is exactly what we build.

Final Thoughts

Tom Clancy’s Jack Ryan: Ghost War delivers one of the most disciplined spy wardrobe sets in recent cinema. Every character is dressed for exactly what they do: from Jack Ryan’s dark tactical field jacket in the Dubai and London operations, to CIA Director Elizabeth Wright’s authority-level power suits in the Whitehall briefing rooms. The costume design works because it never tries to impress the audience. It tries to be accurate to each character’s world, and that discipline is what makes every outfit believable and worth paying attention to.

The Ghost War aesthetic runs on three principles: dark neutrals, functional silhouettes, and nothing that draws attention for the wrong reasons. Whether it is Krasinski’s operational jacket, Sienna Miller’s MI6 outerwear, Wendell Pierce’s blazer authority, or Max Beesley’s rogue operative darkness, every look in the film tells you where that character sits in the spy world without a single line of dialogue explaining it. That is what strong film wardrobe design does, and Ghost War does it well across a nine-person cast.

If you want to bring that energy into your own wardrobe, the starting point is a jacket that earns its place with no decoration for its own sake and no branding that announces itself. Explore the full movie outfit collection at TVJackets for character-inspired outerwear built for real wear. Step into the character. Own the look.